Russian MOD Reports White Helmets Currently Staging “False Flag” Chemical Attack in Idlib

by Whitney Webb from Mint Press News

Russian military sources, as cited by Sputnik News, have reported that footage depicting what they have identified as a false-flag chemical weapons attack in Syria’s Idlib province is currently being filmed and is expected to be sent to different international television channels before the end of the day. The news has sparked concern that the promised retaliation from the U.S., U.K. and France could be less than a day away.

The Russian military sources — who work for the Russian Center for Syrian Reconciliation, which oversees Russia’s legal military presence in Syria — stated that “militants are now filming a staged provocation in the city of Jisr al-Shughur, where ‘chemical weapons’ are depicted as being used by the Syrian army against civilians.” Based on information “received from inhabitants of Idlib province,” the Russian military also stated that “film crew[s] of several Middle Eastern TV channels arrived in Jisr al-Shughur in the morning” along with “the regional affiliate of one of the main American television news networks.”

The report notes, unsurprisingly, that the staged event gives a prominent role to the Syrian White Helmets, who will be shown “’helping’ residents of Jisr al-Shughur after the Syrian army allegedly used the so-called barrel bombs with poisonous substances.” It also states that the “chemical weapon” to be used in the attack is two containers “loaded with a chlorine-based toxic substance.” At the time the Russian military issued the warning of an imminent “false-flag” chemical weapons attack, these containers were located at a grain storage site.

These warnings from the Russian military come after the Syrian and Russian governments presented evidence to the UN Security Council showing that Idlib “rebels” linked to Al Qaeda were planning to stage a chemical weapons attack in order to provoke foreign military intervention against the Syrian government.

Notably, a recent Wall Street Journal report stated that anonymous U.S. officials had confirmed that Syrian President Bashar al-Assad had personally “approved” the use of “chlorine gas” against civilians in Idlib. That report also stated that President Trump may attack Syria regardless of whether or not a chemical weapons attack is alleged to have taken place...

[read more here]

New Colonialism and the Colonial Media

by Tim Anderson at AHT

The seven Middle East wars of the last two decades mark a new colonial era, driven by a failing empire. But colonization is banned these days, so an ideological cover is needed, and with today’s highly literate populations that cover is provided by an embedded colonial media, backed up by a well-paid NGO sector.

This colonial media is required to recycle the new colonial myths, that vicious predatory invasions are ‘humanitarian interventions’, that terrorist proxy wars are ‘civil wars’ led by peaceful protestors, and that the independent target nations are simply illegitimate ‘regimes’ led by evil ‘dictators’.

That is why we see the durable, if hardly plausible, stories of Palestinian resistance to ethnic cleansing as ‘terrorism’; the invasion and occupation of Afghanistan as a war for the ‘rights of women’ (thank you George W. Bush and Amnesty International) and the repeated ‘false flag’ chemical weapons stunts in Syria (simply pretexts for further intervention), as the actions of a monster president who is (for some unexplained reason) ‘killing his own people’.

The colonial media could be characterized as an embedded state and corporate media sector, which seeks to normalize imperial war and sustain the myths of colonial interventions (in face of substantial reason and evidence) while demonizing independent states and dissident voices. Some criticism is allowed, so long as it does not support the resistance.

This sector has begun to include the giant corporations which control what had been a more diverse social media....

[read more here]

Figured Out Image Problem with Help from Viewers

I water-boarded my computer for a while and after that didn't work, I read some suggestions from viewers... and figured it out. Yep, it was on me. Don't know why it would work sometimes and not others, but I have figured out how to make them show and will be working on fixing the problem for the next couple of hours. Thanks for the help.

Amazing Disappearing Blogspot Blog Images

In this video you actually witness images appear and then disappear on my blog without me having done a damn thing to the post.

Having Trouble with Images on Blogspot Blog

Have you guys ever seen this shit before? Images on my 9/11 articles appear after posting then disappear then reappear. Its killing me. Any advice would be nice.

9/11 Trillions: Follow The Money

from The Corbett Report

9/11 War Games

from The Corbett Report

Neither Gravity nor Thermite: Video Evidence Points to High Explosives Used in the Controlled Demolition of Twin Towers

(H/T David from HeavyWaterGate)

by Scott Creighton  (archived repost from Sept 6, 2010)

A video posted at Kenny’s Sideshow (quietly emerging as one of the best Truth sites out there) examines the formerly unheralded events that took place at Fresh Kills landfill right after 9/11.  It is intended to show the complex process that was set up to “recover” human remains and personal items from the debris from Ground Zero (Twin Towers, and Building 7) but I think it proves a great deal more. 

Two glaring aspects of the video stand out; the first being the level of pulverization of everything in the Twin Towers, from filing cabinets, to desks, to the concrete in the floors, the carpet on the floors, and the ceiling tiles, drywall, chairs, computers… everything. Everything was pulverized to dust and unfortunately, that also includes the victims who died that day.  

The next most important thing that leaps out at you as you watch this video is the evidence of the massive level of heat that had to be present during the relatively short collapse time of the Twin Towers.  Metal signs from the 34th floor are charred and burned (there was no fire on the 34th floor)… police officers guns have all the plastic and rubber handles melted off while their chrome finishes are burned away allowing for rust and pitting to set in and the same is true with their handcuffs.  Some guns were burned so badly, they are actually melted. 

This is what is to be expected during an event using huge amounts of high explosives such as PETN or RDX, two materials commonly used in controlled demolitions. But don’t expect NIST to point that fact out… or current “leaders” of the Truth movement either, for that matter.  Funny how that works, ain’t it?

9/11 Shock Opera… Act 4 – Building 7 and Flight 93: The Grand Finale that Wasn’t

by Scott Creighton (archived repost from May 25, 2009)

Prologue: The Premise

Scott Creighton

 

Take yourself back to that day when you watched or listened to the attack on America; the day that everything changed. Remember where you were, who you were with, and most importantly, how you felt.

Think about the last few events of that day; how the news of the Pentagon being hit by something was followed almost immediately by the unexpected complete collapse of the South Tower (WTC 2). Remember how we had barely recovered from that shock, one that we were forced to watch in horror over and over again, when the unspeakable happened; the North Tower (WTC 1) fell in exactly the same way; at an eerie and almost supernatural speed as plumes of smoke and steel columns flung across city blocks.

Now I want you to put yourself in that very moment, once again, and prepare yourself for the missing final act that never took place and yet may be one of the most telling and condemning pieces of evidence in the ongoing unofficial investigation of 9/11.

The 9/11 Shock Opera

-  Flight 93 and Building 7 -  The Grand Finale … that wasn’t.

The North Tower has fallen and people are in absolute disbelief.  The grey faces staring back at us through the live news reports tell the story; they are blank with shock like infants in a war zone.

In New York, the yelling and the screams have faded into history as the dust settles… a deafening silence fills the air in your office or your home… no one speaks save the babbling talking heads on the news, all vying for their Peabody Award and their personal place in history…

When over the shoulder of a reporter we see, way off in the distance… rising from the horizon, coming in from the south, low and just over the murky blue of the Hudson Bay… Flight 93 on its final approach.

At first the reporter doesn’t notice, but you do; everyone in your office, everyone in your home, watches in silence. There is just no way possible…it must be something else, a military plane scouring the skies, protecting us, protecting America, protecting what’s left of New York…and we all watch as it grows ever larger, just over the reporters shoulder, while a sickening despair builds in each of us silent TV witnesses till our fears become the unavoidable realization.

It’s not over.

A scream somewhere off camera seems to snap the camera-man out of his trance and he shifts ever-so-slightly his focus, your focus, to the play’s approaching last act.

The talking head finally shuts up and turns just in time to see Flight 93 diving from the tip of Lower Manhattan. There is no question, there is nothing to say; Flight 93, in front of hundreds of cameras and thousands of witnesses, and the millions watching live on TV., roars past the remains of the lower New York City skyline, darts through the remaining smoke and dust of the towers, and plows into Building 7 of the World Trade Center somewhere around the 7^th floor at over 600 mph. This is the area where the diesel fuel storage tanks are kept in the building, and the resulting explosion is something to behold. Orange-red flames reach all the way up the north face of the building as someone in your office lets out a little raspy scream. Whispered prayers float up from the crowd for those lost souls onboard.

But that is just the beginning.

Rumbles immediately are heard and felt underfoot by the dust covered survivors and first responders at Ground Zero a second after Flight 93’s tail disappears in the south face of Building 7.

The rumbles continue and before the reporter can utter a word, as the smoke cloud mushrooms past the top floor grey and red with menace, more explosions and more flashes, more grey-faced people running, their faces contorted masks of shear terror, and that terrible white noise of panicked people yelling warnings incoherently to one another, then the horrible reality sets in and we allow ourselves to acknowledge that building 7 …is moving.

In 7 seconds flat, building 7 collapses right before our eyes just at that moment when we thought there was no more; we thought we were safe and the worst of the suffering was behind us. The Towers were hit, they fell. The horror should have been over… but it wasn’t.

This was the final act, the Grand Finale, as scripted for the street theater opera known as 9/11.

But a funny thing happened on the way to Ground Zero, something that changed everything in the plan to change everything; a fighter pilot met Flight 93 route to New York and he may still yet be the conspirators’ ultimate demise and our last best hope.